Sunday, March 22, 2009

How Can We Sleep While Beds Are Burning?



I found a good one last night, and thought I would share! Midnight Oil playing Wembley Stadium, in their 1990 prime! It was Broadcast on the radio (Westwood One), so the sound quality is great. Not to mention the fantaaaastic setlist, heavy on the "Blue Sky Mining" album. I hope you enjoy!

Midnight Oil - Live From Wembley, 1990

01 - King Of The Montain (3:30)
02 - Dream World (4:13)
03 - River Runs Red (5:13)
04 - Warakurna (4:35)
05 - Read About It (2:33)
06 - Read About It Cont. (1:07)
07 - The Dead Heart (5:51)
08 - Best Of Both World (3:49)
09 - Kosciusko (4:22)
10 - Power And The Passion (5:34)
11 - Beds Are Burning (4:09)
12 - Bedlam Bridge (9:04)
13 - What's So Funny About Peace (6:27)
14 - Hercules (4:26)
15 - Now Your Product (2:00)
16 - Blue Sky Mine (4:14)

Download: Midnight Oil: 1990 Live from Wembley (zipped)

Thursday, March 19, 2009

Pearl Jam "Ten" Reissue



This has some of the grfx and 3D animation we did for the upcoming rerelease (and remastering!?!?) of Pearl jam's Seminal album "Ten"

While I may like a few of their other albums a tad more (mostly due to the mix... the new mix by Brendan O'Brian is SPOT ON!) I can honestly say there is no more important an album for me, really. I mean, c'mon... that tracklist is unbelievable, still today.

I can't wait to hear all the new mixes on those songs (plus the official release of the MTV unplugged show!)

enjoy.

Sunday, March 15, 2009

Watching the Watchmen



Alicia and I saw the much hyped and much maligned 3 hour Watchmen movie yesterday, based, of course, on the genius work of Alan Moore and Dave Gibbons. I am not a lifelong fanboy, having only read the graphic novel this past summer. Although late to the party, I loved the graphic novel for all the reasons everyone told me I would... a fantastically complex and morally ambiguous set of characters, worderfully fun ways to develop the story besides just cartoon panels... Intellegent winks to the format itself with a concurrent Pirate story running throughout... preposterous ending, etc etc etc. I was really interested to see the film even TRY to tell this story, which everyone claimed was "unfilmable" for the past 20 years. And perhaps it still is.

And let's be clear: every critical review you read about it is very very true. It is loooong. It is painfully faithful to the source material, at the expense of creating any new feelings of wonder that a movie might have the power to do. It is icy cold and completely unfeeling, unflinching, and does not engage the audience in any way emotionally. Anyone not extremely familiar with the book will just not follow it, and will most likely leave thinking what's all the fuss?

But if you DO savour the book, and it's characters and art style, and chaotic, dark, antisocial, nihilistic, anarchistic and critical themes, then there is absolutely, positively no excuse you could give me that you should not see it. It is NOT perfect. It is NOT for everyone. BUt is IS still very very good. And very interesting. And hard as hell to have come so far. It really brings the comic world to life in a fantastic way, that taken with the right grain of salt, can be a true joy from start to finish. Alicia and I saw it at the Imax, and I highly reccomend this. Performances have been criticized as being cold, distant, amatuerish... I disagree. I thought it was finely and interestingly cast, and some nice surprises (Carla Gugino Jeffrey Dean Morgan, etc) came through in that respect. (although Ozymandias/Veit was possibly the weakest link in the chain...)

The opening title sequence alone (a 6 minute sequence set to Bob Dylan's "The Times, They Are A-Changin") was unbelievably creative and effective, and for the right audience member, probably worth the entire price of admission right there. Speaking of Dylan, the rest of the unbelievably good soundtrack was used in extremely prominent (arguably overblown) manner, and I loved it. Most of the times, I hate songs coming so far to the front that it's just a musical interlude sequence... but this film was so big, and colorful, and cold as ice that it really seemed appropriate not only content-wise, but stylistically as well.

Zach Snyder is certainly not a "visionary" (A remake of Dawn of the Dead and another comic adaptation does NOT a visionary make) but he is to be commended for making a 3 hour superhero movie that held true to the source material, and created such a stylistic and clinical mood and feel that I was hypnotized.

The cold, calculating clinical view of Dr. Manhattan dominates the feeling of this movie in every frame. I think that's what the critics thought was wrong with it. I think that's what I thought was RIGHT with it. Eh, to each his own. But I strongly suggest YOU not believe everything that you read, and see it, and judge for yourself.

Who Watches the Watchmen? I sure did. You might want to as well.

P.S... the new ending? WAAAAAAAY better that the comic. No Joke. Seriously. If anyone wants to argue this point, I am open to hearing why you disagree... But I cannot imagine a reason why. A giant Squid? Really? The movie's tweak makes a MUCH smarter connection to the characters and their behaviours. It left me about a million times more content than the end of the comic did. So there. That's another good reason to give the movie a shot, and judge it solely on it's OWN merits, not the hype machine NOR the critical backlash.

Thursday, March 12, 2009

Muppets take Manhattan (or 52nd street at least)



Patricia's friend from Baltimore stays with us a fair amount of time, since she is a performance artist who occasionally books gigs in New York or the surrounding 'burbs. She come in late, get's up early, and is out the door before Alicia and I ever even know she's gone. She's fun and interesting, and we usually just grab some dinner, and give her some setup for a restroom and some good nights sleep.

Last time she came, though, she had a huuuuuuge blanket and pillow and such, dragging around. We chuckled that she didn't have to do that, we had her covered, but she stays in so many places so often that she travels more comfortably by having these things on hand (no matter how cumbersome it is for her to lug.)

We haven't seen her in a while (other than Thanksgiving at Patricia and Geoff's house) because she was pregnant, and presumably wasn't traveling for work as much. She recently had her baby, happy and healthy.

Alicia told me the other day, that she wanted to come back again, she had another gig booked. Of course I said "fine" just as always, since it's never a problem at all.

There was a catch this time... She wanted to know if it was okay to bring her husband, toddler, and newborn.

Now she knows our place is always open, but she also knows how small that place is too... of course we won't say "no" but man... tonight is going to be something else!

Wish us luck... I jokingly told Alicia that unfortunately I had to pull an all-nighter at work tonight (I don't, really) It'll be fine. I just don't expect to have much rest (on this worknight) with 4 adults, 1 toddler, 1 newborn, and a nasty little dog (who treats children terribly, btw!) Oh well.. tomorrow is Friday, and I got most of my work done today... so maybe it'll be a breezy day.

Sleep Tight.

Tuesday, March 10, 2009

National Treasure III?



Museum Reveals Engraving Hidden in Lincoln Watch
By: BRETT ZONGKER (Associated Press Writer)
From Associated Press
March 10, 2009 9:16 PM EDT

WASHINGTON - For nearly 150 years, a story has circulated about a hidden Civil War message engraved inside Abraham Lincoln's pocket watch. On Tuesday, museum curators confirmed it was true. A watchmaker used tiny tools to carefully pry open the antique watch at the National Museum of American History, and a descendant of the engraver read aloud the message from a metal plate underneath the watch face.

"Jonathan Dillon April 13 - 1861," part of the inscription reads, "Fort Sumpter (sic) was attacked by the rebels on the above date." Another part reads, "Thank God we have a government."


The words were etched in tiny cursive handwriting and filled the the space between tiny screws and gears that jutted through the metal plate. A magnifying glass was required to read them.

Jonathan Dillon, then a watchmaker on Pennsylvania Avenue, had Lincoln's watch in his hands when he heard the first shots of the Civil War had been fired in South Carolina. The Irish immigrant later recalled being the only Union sympathizer working at the shop in a divided Washington.

Dillon's story was passed down among his family and friends, eventually reaching a New York Times reporter. In a 1906 article in the paper, an 84-year-old Dillon said no one, including Lincoln, ever saw the inscription as far as he knew.

Dillon had a fuzzy recollection of what he had engraved. He told the newspaper he had written: "The first gun is fired. Slavery is dead. Thank God we have a president who at least will try."

For years the story went unconfirmed.

The watchmaker's great-great grandson, Doug Stiles, first heard the tale of the engraving from his great uncle decades ago. He said the story had reached extended family as far away as Ireland.

A few months ago, he used Google to find the New York Times story, and last month he passed the information along to Smithsonian curators, who knew nothing about the engraving.

On Tuesday, watchmaker George Thomas, who volunteers at the museum, spent several minutes carefully opening the watch as an audience of reporters and museum workers watched on a video monitor.

"The moment of truth has come. Is there or is there not an inscription?" Thomas said, teasing the audience, which gasped when he confirmed it was there. He called Stiles up to read his ancestor's words, drawing smiles and a few sighs of relief.

"Like Pearl Harbor or 9/11, this was the reaction he had (to the Civil War,)" Stiles said of the inscription.


Later, Stiles said he felt closer to the 16th president.

"My gosh, that was Lincoln's watch," he said, "and my ancestor put graffiti on it!"

Lincoln's family kept the watch until it was donated to the museum in 1958. It was Lincoln's everyday pocket watch, one of the president's only valuable possessions he brought with him to the White House from Springfield, Ill., said Harry Rubenstein, curator of the museum's politics and reform division.

"I think it just captures a bit of history that can transform you to another time and place," he said. "It captures the excitement, the hope of a watchmaker in Washington."

The watch will go back on display at the museum by Wednesday as part of the exhibit, "Abraham Lincoln: An Extraordinary Life." It will have a new label to tell Dillon's story and a photo of the inscription.

---

On the Net:

National Museum of American History: http://americanhistory.si.edu/

Monday, March 9, 2009

Bands That Are Not Cool With My Blog

Sorry Everyone

The latest post I had up for the past couple of days was a great broadcast of Kings Of Leon (broadcast in Germany)... It got removed unceremoniously by the RIAA.

This is the second time a band or the RIAA has pulled the plug on a post of mine. (the first was Snow Patrol) It's weird, because these have been RAVE posts, about my favorite new(ish) bands and I have provided links to their official sites, links to purchase the albums from amazon, And the music itself that I have posted, while of course I do not own the copyrights to, have been live performances, traded popularly online, and, in the case of Kings Of Leon, were BROACAST LIVE FOR FREE ON THE RADIO IN GERMANY. It's not like I'm posting a rip of the leaked U2 album or anything... I am trying my best to turn people on to a great band that IIIII thought could use the good word of mouth.

Oh well. It's a big machine, and that machine is broken and on fire. In honor of the RIAA, I am now adding a sidebar list of bands that yank their posts from my site.

Thanks again, RIAA. Good luck with all that.

Tuesday, March 3, 2009

A Little Humor



Something funny. Bizkit The Sleepwalking Dog.

Getting Closer...



The lawsuit is raining down like hellfire now. Capital One's request for "Summary Judgement" is being presented within the next 2 weeks, along with our Answer. I really can't say for sure which way this cookie is going to crumble. The past few days I have been getting good feelings and good vibes from my attorney, and they even apologized for their first (insulting) response to our settlement offer, but their revised couter to our offer was still $50,000. I guess they thought they were being nice by offering to "split the difference" of the made up money I never really borrowed. I think 50K is still ridiculously too high, so I am rolling the dice. Perhaps we'll come to terms on some lower number, or perhaps it will proceed as scheduled, and it could go one of two ways:

If they are AWARDED summary judgement, then I lose big. All of it. An Open and Shut Case. My lawyer said, however, that "Summary Judgement" is a radical procedure, and not to be taken lightly by the courts. It is unlikely, but of course, always possible.*

If they are NOT awarded summary Judgement, I haven't won a thing, other than the right to fight them (and rack up more attorney bills!). But it WILL show them that it's not a "grand slam" and perhaps it will knock them upside the head that they need to come down a tad on their settlement offers.

It's a big risk, But I really don't see any other way to play it. My Attorney and I are in constant communication, and are considering how best to pursue a settlement discussion before the summary judgement hearing. But let's be realistic... 50K is certainly not realistic. If the Court decides against me, so be it. I will be sunk by the cold machine. But I'm not going to drown myself ahead of time for FEAR of being sunk. Dead is Dead... What's the difference, really?

* Remember, one of the earliest conversations I had with my attorney, he warned me that it is a "higher than you'd imagine" chance that the Judge is already on the payroll of the bank anyway. So argue all you want. You're F$CKED from day one.

Friday, February 27, 2009

Exhausted, But With Complete Consensus



Yesterday I spent the entire day at the offices of ID Magazine, judging the Annual Design Review for their Interactive category. Boy, did we see some amazing work. It was exhausting, spending about 11 hours there, but any day that I can not be chained to my desk making commercials, but rather meet and converse (and debate with) some of the brightest minds around is a pretty great day indeed.

I was supposed to have been one of the 3 judges for this particular category on this particular day, but a last minute cancellation by one of the judges (illness, apparently) left us scrambling at the 11th hour to find a third person. Everyone I suggested was too "close" to me (Alicia, Mike Essl, etc) and some of the other big-wigs I suggested are too busy to drop everything (Emily, Scott, Cadin) and one of the big-wigs was already judging another category another day, so it was pretty much a bust. But we soldiered on, the two judges that we were, and we ended up having a fantastic time! My other Judge was Neri, a brilliant Artist and Architect from the MIT labs, who lectures at every major university in the world and who's work has been shown at the MoMa, among many many others.

She was a joy to converse with, and inspiring to debate with and compare and contrast the work. I can't talk too much about the work until the issue comes out, just rest assured that it was (mostly*) jaw-dropping, and our top 3 were decided unanimously and instantly.

The Issue should hit newsstands in June, where not only will you read our commentary and see our choices (and reasonings behind it) but you will see a picture of the 2 of us as well... some of the photos they took of us looked like the prom! Ha!

I look forward to hearing what you guys have to say about our choices, and hope that our decisions hold up to the test of time. I think we did our best, and sure met some fun and interesting people in the process. Thank you again, ID Magazine, for the honor of allowing me to participate!


* There was some crap, and some by people Alicia and I knew too! Ha Ha Ha... At least nobody there knew I worked on Botulinum Toxin**... that is an Alan Smithee project for sure!

** Speaking of Botulinum Toxin, the project is wrapped, the witch is dead, and we are drinking ourselves into oblivion tonight after work... 7:00pm at the Rodeo Bar... Be there, or be square.

Wednesday, February 18, 2009

Thanks (Again), Lou!



Alicia had a Hood College Alumni event last night, a cocktail reception in the posh Midtown Executive Club. Andy Rooney was there, after his brief appearance at the last event (that Alicia and I reccomended the location for, the funky West Village's La Pallapa, wherein Andy came in, looked around, asked "What the Hell is THIS place?" and left after 15 minutes!) Ha! The Midtown Executive Club was MUCH more his scene.

Obviously not being a Hood Alum, I really didn't know too many people and didn't want to get in the way, so I hung back by the bar, where the gentleman in front of me was having a lively conversation with the bartender, being very specific about how he wanted his martini. This piqued my interest, and I mentioned to the two of them that it looked good, make mine a martini as well.

Then I noticed the gentleman pull out a silver container from his pocket, and he smiled and told me that he always brings his own vermouth! Double Ha! He spritzed some in his, politely asked if I would care for some as well, and I dutifully (and curiously) accepted.

He proceeded to tell me how he comes to this place at least once a month, because a club he belongs to meets on the top floor penthouse bar, and that this bar makes the best martinis in Manhattan (I guess it's just BYOV). I asked what club he belonged to, and he told me it was the Young Presidents Organization, a social organization of young titans of industry and robber barrons, who get together, and basically give each other work. He said that one of the requirements to join is that you need to be president of a company, and under 40... of course I meet these requirements. He mentions that it is a long waiting list, and it is very exclusive, etc etc, and I assure him I did not expecct to get in, laughing it off, and saying that my company was probably way too small to qualify anyway.

We change the conversation, and he asked where I went to school. I mention Cooper Union, and he asks me if I know Lou Dorfsman (ex-creative Director of CBS for 45 years)... Of course I do, he is only one of my biggest mentors, getting me my first job in television, and pretty much insisting that I even START in television, ditching my work in the web!

It turns out, he knew Lou very well, and had not one, but 2 company business cards designed by him in his wallet! I gave him one of MY cards, and he was taking down all my info, and he made a funny remark about talking to the Young Presidents Organization! Triple Ha!

Gotta thank Lou again. That guy is the most "connected" person in the world, even in his afterlife! And maybe nothing will come of any of this. But Aliciia remarked at the end of the night that I was "Something else" and that I wasn't even an ALUM and I had a great night. And if nothing else, it IS funny to picture a hippie like me hanging with the NY money men! I guess I should look into getting fitted for a monacle.

Monday, February 16, 2009

A Tribute To George Washington, Coke Doer And Cannibal



From 236.com:

Yeah, ok, George Washington didn't actually eat the brains of his foes, but this video's pretty awesome anyway. We resurrected it to help you celebrate President's Day in the lewdest way possible. Enjoy!

Friday, February 13, 2009

From The BBC: Fresh Start For Lost File Formats



From the BBC:

Long lost file formats could soon be resurrected by pan-European research.

The 4.02m euro (£3.58m) project aims to create a universal emulator that can open and play obsolete file formats.

Using the emulator, researchers hope to ensure that digital materials such as games, websites and multimedia documents and are not lost for good.

The emulator will also be regularly updated to ensure that formats that fall out of favour remain supported in the near and far future.

Called Keeping Emulation Environments Portable (Keep), the project aims to create software that can recognise, play and open all types of computer file from the 1970s onwards.

As well as basic text documents it will also let people load up and play old computer games that technology has left behind.
"People don't think twice about saving files digitally - from snapshots taken on a camera phone to national or regional archives," said Dr Janet Delve, a computer historian from the University of Portsmouth and one of the research partners on Keep.

"But every digital file risks being either lost by degrading or by the technology used to 'read' it disappearing altogether," she said.

Without work to preserve ways to access the formats that are common today, 21st century citizens risk leaving a "blank spot" in history, said Dr Delve.

Already the number of unreadable documents in archives is beginning to mount up.
Britain's National Archive estimates that it holds enough information to fill about 580,000 encyclopaedias in formats that are no longer widely available.

Research by the British Library estimates that the delay caused by accessing and preserving old digital files costs European businesses about £2.7bn a year.

"We are facing a massive threat of the loss of digital information. It's a very real and worrying problem," said Dr David Anderson, who will work with Dr Delve on the UK end of the project.

"Things that were created in the 1970s, 80s and 90s are vanishing fast and every year new technologies mean we face greater risk of losing material," he said.

Dr Anderson said emulation was more workable in the long term than the usual method of preserving old files which involves migrating information on to new formats with its attendant risks of data degradation and corruption.



Thanks to Paul Rachman for sending this my way!

Wednesday, February 11, 2009

Former Student Makes "GOOD"



Erik Winkowski, a former star pupil from Cooper's Motion Graphics class, has just completed a fantastic and informative animation on the complexities of Corn in America for GOOD Magazine. Go watch it, and leave him a great comment! And don't forget to pass it on to friends if you like it!

Way to Go, Erik! (Nice GIGANTIC CREDIT at the top of the piece, too! ha ha ha)

Monday, February 9, 2009

NYT: Applications Surge At Cooper Union



From NYTimes.com:

By LISA W. FODERARO
Published: February 8, 2009

Afreen Juli, a senior at the Bronx High School of Science, applied early to Cooper Union, a college in Manhattan that specializes in engineering, art and architecture. So did 10 of her classmates, the most ever from Bronx Science, one of the city’s most selective public schools.

Ms. Juli, who lives in Coney Island, said that she wanted to study film and art; she also applied to the Tisch School of the Arts at New York University. But, as she explained in an interview: “N.Y.U. is pretty expensive and I might not be able to afford it. Basically, Cooper Union is free.”

Founded 150 years ago by the industrialist and inventor Peter Cooper, Cooper Union is perhaps best known among New Yorkers for its iconic brownstone hall near Astor Place where Abraham Lincoln, Teddy Roosevelt and Barack Obama have held forth. But for many high school seniors who are applying to college in the midst of an economic meltdown, Cooper Union’s commitment to full scholarships — regardless of need — has given the institution an almost mythic allure.

Already among the nation’s most competitive colleges, with an admissions rate of about 8 percent — on par with Juilliard or Harvard — Cooper saw about a 70 percent surge in applications for early decision this year, after annual increases of 5 percent to 10 percent over the last decade. Over all, the school expected to receive 3,300 applications this season for the 265 spots in the Class of 2013, including 750 students vying for 30 seats in the Irwin S. Chanin School of Architecture.

“I’m pretty confident that the economy played a big role,” said the dean of admissions, Mitchell Lipton. “You probably had a lot of parents who said: ‘Look, I know you’re looking at Cooper Union. You ought to make it your first choice.’ ”

While many of the nation’s elite colleges underwrite the education of poor students, Cooper is among a handful of private colleges that are tuition-free for everyone (it does not, however, pay for room and board, though financial aid is available for living expenses, and many students from New York City live with their parents). Some of the free schools are even smaller and more narrowly focused, like Franklin W. Olin College of Engineering in Needham, Mass., with 300 students, and the Curtis Institute of Music in Philadelphia, with 160.

Cooper’s applications have climbed steadily since 2000, and really took off this year amid the recession. That has complicated things for the admissions office, which involves faculty members in reviewing hefty portfolios that include take-home tests to determine a student’s creativity as well as drawings, architectural models and narrative writing.

“The home tests are a series of exercises that are difficult to fake,” said Anthony Vidler, dean of the architecture school. “We find it a very good filter for looking for talents that aren’t necessarily indicated by grades and SAT scores, even though those numbers are very high.”

At Fiorello H. La Guardia High School for Music & Art and Performing Arts, 63 of the 556 seniors applied to Cooper Union, 14 of them early. At Bronx Science, 11 seniors applied early decision — up from 7 last year and 1 in 2006. “What you hear over and over is that early decision demonstrates interest loud and clear,” said Darby McHugh, the college coordinator at Bronx Science. “Combine that with the economy, and it’s a perfect storm for Cooper.”

Paul Shao, 17, a senior at Bronx Science who lives in Hollis Hills, Queens, and plans to study engineering, had his early application deferred. If he gets in, he said, his parents plan on using the money they save on tuition to buy him a small apartment in Chinatown.

“It would really help my family out a lot,” said Mr. Shao, the son of a librarian and an accountant who himself works part time for a test-prep center. “My sister’s a freshman in high school, and my brother is 8. I don’t want my parents to pay more than they need to for my college experience.”

Each year, Cooper Union allots about $35 million to cover tuition. It is a tradition that was easier to sustain when the board of trustees included Andrew Carnegie and J. Pierpont Morgan. “There were five trustees and at the end of the year they would look at the deficit and divide by five,” said George Campbell Jr., the college’s president.

More recently, the college ran multimillion-dollar deficits every year, with its endowment bottoming out at $100 million after Sept. 11. But since then, the college changed its strategy regarding its significant real estate assets, renegotiating the lease on the Chrysler Building, which it owns; signing a 99-year lease on a large parking lot for $11 million; and leasing out its engineering building to a developer for $97 million. Last year, the college had its first positive financial ledger in a quarter century, and the endowment peaked at $608 million.

And because Cooper is so heavily invested in real estate, rather than the stock market, its endowment has held up better than most, and is currently valued at $594 million. This spring, the school’s first new academic building in decades is set to open at 41 Cooper Square.

“Cooper is ranked very highly both for quality and selectivity, and yet it’s an institution that has had to manage by its wits,” said Molly C. Broad, president of the American Council on Education, which represents two- and four-year colleges. “It is a great example of a set of characteristics that you just don’t typically find in American higher education.”

Yet Cooper Union and the other schools that offer free tuition have become so selective and are so focused that experts caution students and parents against putting too much stock in them. The Curtis Institute of Music received nearly 900 applications for about 40 spots in its incoming class, for example.

“It’s great that some people can go to these places, but they are few and far between and only the right school for certain students,” said Sandy Baum, senior policy analyst at the College Board and a professor of economics at Skidmore College. “And most people won’t get in.”

Those who do will enter an institution rich in history. The Foundation Building, where Mr. Obama gave a campaign speech on the economy in March, was also the site of the N.A.A.C.P.’s first meeting. The American Red Cross was organized there, and Susan B. Anthony had her offices there. It was built with its entrance facing the immigrant neighborhoods of the Lower East Side, symbolically welcoming the poor to a future of opportunity; each spring, graduates exit through another door, pouring out toward Fifth Avenue.

Ling Jessica Chu, a senior at La Guardia High School whose early application has already been accepted, said she was drawn as much to the small classes and the environmental credentials of the new academic building as the free cost. She planned to keep living with her parents, in Chinatown.

“I wanted to live in a dorm just for the experience, but then again I figured I’d save my parents the money,” said Ms. Chu, whose mother is a homemaker and whose father is a home attendant. “My parents were happy wherever I went. But I was pushing Cooper because of this economy.”

Other students, who come from out of town or out of state, have learned that tuition-free in Manhattan is hardly a free ride.

Natasha V. Broodie, a third-year art student from West Palm Beach, Fla., has had to juggle jobs to help cover her living expenses, namely rent on an apartment in the Flatbush section of Brooklyn.

Last semester, she had three campus jobs, working a total of 52 hours a week. Now, she is looking for a fourth. “My parents don’t pay for any of this,” said Ms. Broodie, who has a 3.6 grade-point average. “I’m pretty much on my own.”

Friday, February 6, 2009

House Of The Dead



Life in the Vondracek/Cruz house has been hell the past few days. Fevers, coughing, insomnia, blacklung, skin burning in sunlight, snot, drool, levitation, pea soup, crucifix desecration, speaking in tongues... you name it.

Too sick to be at work this week, but was here all week anyway. Alicia had it way worse than ME, and IIII feel like crap.

Enjoy the music:

Download: Mudhoney: Touch Me, I'm Sick

Download: Rob Zombie: Blitzkrieg Bop (Ramones)

Download: Matthew Sweet: Sick Of Myself (live)

Download: The Fever: Gray Ghost (my friend's old band!)

Download: Faith No More: Zombie Eaters

Download: Sufjan Stevens: They Are Night Zombies!! They Are Neighbors!! They Have Come

Now Excuse me while I go eat some brains.

Tuesday, February 3, 2009

Excuse Me, There Seems To Be Some C**k in My Superbowl



From DeadSpin.com:

For those Cardinals fans who claimed that Larry Fitzgerald's fourth-quarter touchdown catch was better than sex, they got a quick chance to compare. Immediately following the TD, instead of a replay, some Tucson area Comcast viewers got an eyeful of some full frontal male nudity from Club Jenna, an adult cable station. The porn flick images lasted anywhere from 10 to 30 seconds, according to which reports you read.

Fleshbot has the extremely NSFW video.

"KVOA will continue to investigate what happened to our clean signal and make sure our viewers get answers," Nielsen said in the statement. Comcast spokeswoman Tracy Baumgartner confirmed that the company's standard feed was interrupted during the Super Bowl, although she said its high definition feed was not.

Baumgartner said engineers at Philadelphia-based Comcast were investigating Sunday night. Tucson media outlets reported that they received calls from irate viewers about the pornographic material. Joel Hilander of Tucson told The Associated Press that he and his young children saw the clip. "I couldn't believe it. And I couldn't believe that my children were watching it either," Hilander said.

(Innocent children were not the only victims).

For more on this breaking story, let's go to the Arizona Daily Star message board:

• Yes, they did. I had two teenagers and a 10 year old watching the game with me and they all saw every graphic segment of it. What on earth is Comcast doing? I can't believe I pay them. — Celeste L. (Watchdog), February 1,2009 @ 8:35PM

• I saw it. Definitely about 30 seconds of a porn flick. — Kathy K. (kmkahle), February 1,2009 @ 8:35PM

• It was pretty bad. A Keith Urban-type guy is sitting down, and there's a woman next to him and she appears to have her hands down his pants. Then he gets up, and his pants drop, and there's a full reveal. It happened right after the Cards' last touchdown, so I wonder if there was a hacker/steelers fan on the loose at Comcast. — Gin R. (AZPainter), February 1,2009 @ 8:48PM

• This was disgusting and heads should roll. I would love to have someone come and explain this to my first grade students tomorrow! I am canceling my Comcast subscription tomorrow and I hope that all the other Comcast members do also. — jammie s. (densan), February 1,2009 @ 8:36PM

• OMG! I am SOOO angry about this. I don't think I will be watching the super bowl anymore. I had just called my teenaged daughter in to have her watch the replay of the last play. And then that comes on. I am furious. And it kinda kept you watching cuz you were thinking, 'ok, this HAS to be part of a really bad commerical' — Ann C. (backroadsann), February 1,2009 @ 8:41PM

• I had a 2 and a 7 year-old in the room and it was totally disgusting. Comcast better get ready to give all subscribers at least one free month of service for having to be subject to this filth! — Lisa D. (lisamb27), February 1,2009 @ 8:42PM

• My 88 year old neighbor lady called to verify if we had seen the same thing that she saw......she says she has a new lease on life!!!! — Keri H. (Keri), February 1,2009 @ 8:49PM

• Dang! I had a full living room of kids from 3-17 and their friends!!! What a horrible thing to happen! I'm going to have to disconnect...I can't trust that it won't happen during Barney or Sesame Street! — Tess L. (TucsonTess), February 1,2009 @ 8:58PM

• Yeah, well they interrupted my porn movie with 30 seconds of super bowl action. Nothing quite so disgusting as full-frontal football. Yeech. — Rowan D. (RowD1), February 1,2009 @ 8:58PM


Wow. How many people are fired for this?

Monday, February 2, 2009

Radiohead Unreleased Early Demo Tracks



Mother lode. I had a few of these a long time ago, and was waiting for the right time to post it (After all, Radiohead on this site is LONG overdue). But today in my trolling, I found the remainder of the set, and 2 other amazingly rare finds.

These, dear readers, are the first recording sessions of Radiohead, looong before they were anything even CLOSE to being popular. I must admit, some of the tracks are terrible (just like the early NIN demos I posted last year! ha ha ha)

But many are still amazing. If you are like me, and remember fondly the good old days when Radiohead played "songs," then this is a no-brainer... Radiohead fan? Collector? Rarities Hunter? Like to brag about stuff at parties? This posting should have you all covered.

Radiohead 1988 Woodworm Studios Demos

01 - Happy Song
02 - To Be A Brilliant Light
03 - Sinking Ship


Thom Yorke - Vocals, Guitar
Ed O'Brien - Guitar, Backing Vocals
Jonny Greenwood - Keyboards
Colin Greenwood - Bass
Phil Selway - Drums, Backing Vocals
Rasmus Peterson - Saxophone
Liz Cotton - Saxophone
Charlotte Cotton - Saxophone
Recorded at Woodworm Studios, Oxfordshire
Engineered and mixed by Dave Pegg
Quality: Excellent A+

Download: Radiohead: 1988 Wormwood Demos (zipped)



Radiohead - On A Friday / Shindig Demos
June / July / August 1990


01 - Climbing Up A Bloody Great Hill - Clifton Hampden Village Hall
02 - Somebody - Recorded in one or more bedrooms
03 - Mr B - Recorded at Clifton Hampden Village Hall
04 - What's That You See? - Rec. at Nuneham Courtenay Village Hall
05 - Everyone Needs Someone To Hate - Recorded in a bedroom
06 - Upside Down - Recorded in one or more bedrooms
07 - The Greatest Shindig Of The World - Recorded in a bedroom
08 - Give It Up - Recorded in one or more bedrooms
09 - How Can You Be Sure - Recorded at Clifton Hampden Village Hall
10 - Life With The Big F - Recorded at Clifton Hampden Village Hall
11 - Keep Strong - Recorded at Clifton Hampden Village Hall
12 - Rattlesnake - Recorded in one or more bedrooms
13 - Burning Bush - Recorded in one or more bedrooms
14 - Tell Me Bitch - Recorded in one or more bedrooms

Download: Radiohead: 1990 On A Friday Shindig Demos (zipped)


You are all quite welcome!

*** EDIT: Thanks to Citizen Insane for notating the duplicate and incorrect posting! I got all the information from the included text doc in the DLs, and had not listened to the entire thing yet, I was so happy to rush and share it! Thanks Again, and I hope you enjoy it nonetheless!